Music

Klavier Album III (1997)

partitura
5 Zeichnungen von Alfred Kubin
Musical form: chamber music - solo instrument (piano)
Movement/Structure: see Annotations

Instrumentation: piano
Duration: 11'
Year init.: 1997
Iconographic sources: Alfred Kubin, Dämonen und Nachtgesichte, Dresden 1925 (see also single pieces)
Annotations: 1) Damokles. 2) Die Seeschlange (Serpente marino). 3) Kronos. 4) Versinken (Sprofondare). 5) Jede Nacht besucht uns ein Traum (Ogni notte ci visita un sogno; Every night we have a dream). see the single pieces.
Premiere: Mittelfest 1999, Cividale 18.7.1999, Corrado Gulin piano
SIAE: 970970240-00

Klavier Album IV (2005)

partitura
Musical form: chamber music - solo instrument (piano)
Movement/Structure: 6 pieces (see Annotations)

Instrumentation: piano
Year init.: 2005
Year final: 2010
Iconographic sources: 6 pictures: Ivan Cargo, Lionello Balestrieri, Arturo Nathan (2x), Giorgio Carmelich, Max Klinger (attachments: see also the single pieces).
Annotations: 1) Ivan Cargo, Ritratto del compositore Marij Kogoj. 2) Lionello Balestrieri, Beethoven, Chiaro di luna. 3) Arturo Nathan, Il faro (The lighthouse) 4) Giorgio Carmelich, Balletto. 5) Max Klinger, Madre morta (Tote Mutter). 6) Arturo Nathan, Nave nella tempesta con statua naufragata (due quadri).
For the scores see the single pieces.

Kosovel Lieder (2003)

partitura
Musical form: Lied
Movement/Structure: 6 poems: -L’uomo allo specchio - Neri muri - Poesia - Semitono in minore - Uno è l’orrore - Kons: ABC

Instrumentation: soprano and piano
Duration: 2’
Year init.: 2003
Literary sources: Srečko Kosovel, Poesie (see attachment)
Publisher: Edizioni Pizzicato Helvetia 2006
Edition number: PVH 1287
Premiere: Manuel Kriscak soprano; Aleksander Rojc piano
SIAE: 113000397

Kronos (1996)

partitura
Musical form: chamber music - solo instrument (piano)

Instrumentation: piano
Year init.: 1996
Iconographic sources: Alfred Kubin, Kronos 1914 (see attachment)
Annotations: n. 3 of Klavier Album III
Premiere: Mittelfest 1999, Cividale 18.7.1999, Corrado Gulin piano

Kyrie per coro misto ()

partitura
Musical form: choir (mixt)

Instrumentation: mixt choir

L'esorcismo del serpente marino (Beschwörung der Seeschlange) (1998)

partitura
da un disegno di Alfred Kubin (after a design of Alfred Kubin)
Musical form: chamber music - 2 flutes

Instrumentation: flute, bass flute
Duration: 7'
Year init.: 1998
Iconographic sources: Alfred Kubin, Die Beschwörung der Seeschlange (Incantation of the See Serpent) (see attachment)
Dedication: a Luisa Sello
Annotations: from Demoni e fantasmi notturni della città di Perla.
Recordings: CD Luisa Sello “Prime”,Rivoalto Treviso 2000
Notes: see attach 2
Premiere: 18 luglio 1999, Mittelfest, Cividale del Friuli
SIAE: 991780736-00

L'ultimo nastro (The last tape) (1974)

partitura
3. Quartetto d'archi e voce maschile
Musical form: chamber music - string quartet, recording tape and male voice

Instrumentation: violin I, violin II, viola, cello, racording tape, male voice
Duration: ad libitum
Year init.: 1974

La canción desesperadaa (1970)

partitura
Musical form: musical theatre - chamber opera (radiophonic work)

Instrumentation: piano, flute, clarinet, violin, organ, tamtam, W-block,T-block, side drum, basque drum, triangle, suspended cymbals, celesta, Glockenspiel, xylophone, vibes, tub.bells, rec. (fem.voice), 2 soprano, fem. Choir
Duration: 27'
Year init.: 1970
Year final: 1972
Literary sources: texts: Pablo Neruda, Wolfdietrich Schnurre, Helmut Heissenbüttel, Christine Levànt, Ennio Emili
Annotations: the first group of percussions with one performer, the second with 2 performers
Premiere: RAI Rete III Nazionale 26.11. 1973, Gruppo strumentale, Giampaolo Coral conductor, Stelia Doz, Eugenia Lozzi soprani, stage director Giorgio Pressburger
SIAE: 731006162-00

La canzone di Euridice (see Cantata) (1970)

partitura
Studio-divagazione sul mito di Orfeo
Musical form: orchestra (big) with soprano
Movement/Structure: introduction Entry I: Orfeo Entry II: Euridice La canzone di Euridice (pas de deux) La morte di Eirydice Il lamento di Orfeo Euridice si alza come da un sonno profondo Il trionfo di Amore

Instrumentation: 3 flutes/piccolo, 3 oboes/1 english horn, 3 clarinet /1 bass clarinet, 3 bassoons/1 contrabb., 4 horns/1 F, 3 trumpets /1 C, 3 trombone, tuba, kettledrum, harp, piano, drums (xylophone, vibes, celesta, tub. Bells, Glockenspiel, suspended cymbal, 2 tam tam (big and small), bass drum, 4 T-blocks, Marakas, 5 tom tom, side drum, triangel), strings (violins I and II, violas, cellos, double bass) 1 soprano
Duration: 17'-18'
Year init.: 1970
Year final: 1971
Annotations: french text. Most part is identical with Cantata for soprano and orchestra, distinguished by a christian liturgical text taken out of Magnificat, but the score is very different from the Magnificat. Various pages are different: compare pages 6 and 7 from Cantata with pages 6 and 7 from La canzone di Euridice (see attachment)

La luna esce di scena (1989)

partitura
Notturno (II versione)
Musical form: chamber music - ensemble

Instrumentation: flute, viola (or violin), piano (or harp), double bass (or cello), percussion (tam tam, triangle, suspended cymbal)
Year init.: 1989
Notes: I version with flute, clarinet Bb, trumpet, viola, cello piano, percussion (tam tam, suspended cymbal, triangle, mil. Drum) cancelled by the author
Premiere: TauKay Ensemble Udine, Paolo Longo conductor, Udine Contemporanea 1998
SIAE: 911250835-00

La luna esce di scena (Notturno) (1989)

partitura
III version
Musical form: chamber music - ensemble

Instrumentation: flute, clarinet Bb, trumpet, percussion (tam tam, suspended cymbal, triangle, side drum), piano, viola (or violin), cello
Year init.: 1989
Year rev.: 1998
Dedication: all'Ensemble MD7 Ljubljana
Premiere: MD7 festival Unicum, Ljubljana 2007

La Metamorfosi di Narciso per 2 pianoforti e orchestra (1992)

partitura
Musical form: orchestra (medium) with 2 piano soloists

Instrumentation: 4 horns, 3 trumpets, 3 trombones, tuba, drums, harp, celesta, Glockenspiel, vibes, tam tam, triangle, strings (violins I,II, violas, cellos, double basses), 2 piano soloists (score in C)
Duration: 13'
Year init.: 1992

La morte di Cristiano Jacoby (1991)

partitura
Musical form: chamber music - solo instrument (piano)

Instrumentation: piano
Year init.: 1991
Literary sources: after Thomas Mann, Luisella (see attachment)
Annotations: n. 7 of Klavier Album I
Publisher: Ed. Pizzicato Udine 2005
Recordings: CD- Giampaolo Coral, Demoni e fantasmi notturni della città di Perla, Audio Ars Studio1999
Edition number: N. 343
Premiere: Slovenska Filharmonija- Ljubljana, 24.2. 1997, Corrado Gulin piano
SIAE: 027110070-04

La morte di Danton (1972)

partitura
Musical form: musical theatre
Movement/Structure: One act and 7 scenes

Instrumentation: piano and 17 voices: Georges Danton deputato baryton. Camille Desmoulins deputato tenor. Herault Sechelles deputato tenor. Philippeau deputato bass. Lacroix deputato tenor. Robespierre membro del Comitato di Salute Pubblica baryton. Saint-Juste membro del Comitato di Salute Pubblica bass. Hermann presidente del tribunale rivoluzionario tenor. Simon un uomo del popolo bass. La moglie di Simon contralto. Giulia, moglie di Danton soprano. Marion sartina soprano. Rosalia sartina soprano. Una donna soprano. Primo cittadino tenor. Secondo cittadino tenor. Terzo cittadino baryton. Uomini e donne del popolo, Deputati, 2 boia.
Year init.: 1972
Year final: 1974
Literary sources: after Georg Büchner, Dantons Tod
Premiere: only "Aria di Giulia" for soprano, flute, guitar, harp. Stelia Doz soprano, Giorgio Blasco flute, Ennio Guerrato guitar, Patrizia Tassini harp. Trieste Prima 10.6.1987.

La morte di Lucrezio (1979)

partitura
Vaniloquio di uno schizofrenico
Musical form: musical theatre - chamber opera
Movement/Structure: 1 act

Instrumentation: flute, clarinet Bb, bassoon, horn, trumpet, trombone, harp, percussions (drums, snare drum, 3 tom tom, side drum, big tamtam, suspended cymbal - big and small, 3 T-block, rolling drum, basque drum, triangle, 2 bongos), violin I and II, viola, cello, double bass, recording tape, rec. Voice, tenor, soprano
Duration: 30'
Year init.: 1979
Literary sources: Ennio Emili, adaptation of Plutarch's Lucrez, Lucrez (De rerum natura, vv. 1145-1157, 1160-) and H. von Kleist (see attachment)
Iconographic sources: 1982 skeches for scenery by Antonio Sofianopulo
Dedication: Giuseppe Botta
Notes: in the middle Raps for 12 performers - flute, oboe, clarinet, bassoon, horn, trumpet, trombone, percussione (snare drum, 3 tom tom, mil. Drum, big and small suspended cymbal, big tamtam, 3 T-blocks, rolling drum, triangel, basque drum, 2 bongos), violin I and II, viola, cello
Premiere: RAI Trieste, 17.07. 1981 , Lucrezio - Giuseppe Botta tenor, Venere - Alessandra Loy soprano, Fiammetta Giuliani organ and percussion, Giorgio Blasco flute, Adriano Martinolli contra bass; Piero Padovan, Giampiero Biason, Giorgio Pressburger rec. voices; Giorgio Pressburger stage director
SIAE: 792012246-00

La stanza di Gretchen per soprano e pianoforte (1983)

partitura
Musical form: Lied

Instrumentation: soprano and piano
Duration: 6'
Year init.: 1983
Literary sources: Joh. Wolfgang Goethe, Faust (see attachment)
Recordings: CD Demoni e fantasmi notturni della città di Perla (Francesca Romana Franzil soprano) -Audio Ars Studio1999
Premiere: Mittelfest 1999 Cividale (18.7.1999) Manuela Kriscak soprano; Corrado Gulin pianoforte
SIAE: 911350197-00

Lasciatemi morire di C. Monteverdi per coro misto e strumenti (1979)

Musical form: choir (mixt) and ensemble

Instrumentation: mixt chamber choir (6x6x6x6), flute, harp, side drum, 3 T-blocks, W-block, bass drum, tam tam, piano, double bass
Duration: 9'-11'
Year init.: 1979
Literary sources: with text of Salvatore Quasimodo, Notte e Alle fronde dei salici
Dedication: ai martiri di via (delle fosse) Ardeatine 24 marzo 1944

Lasciatemi morire per coro femminile (1976)

dal vol. VI di Madrigali a 5 voci (after Vol. VI Madrigales for 6 voices)
Musical form: choir (mixt)

Instrumentation: female choir
Year init.: 1976
Premiere: XVI Concorso internazionale canto corale "Cesare Augusto Seghizzi", Coro Melodiae di Trieste, dir. Maria Susovsky Semeraro, 8.9.1977

Le Beatitudini (1974)

partitura
Collage da cantare, mimare, suonare e recitare (Collage for voices, mimes, instruments and recitation)
Musical form: musical theatre - chamber opera

Instrumentation: 2 flutes (1 ottav.), 2 clarinets (1 bass cl.), 2 violins, cello, percussion (organ, Glockenspiel, celesta, vibes, tub. bells, suspended cymbals, 2 tam tam, rattle, side drum, bass drum, piano, basque drum, T-block, W-block) 3 soprano, recording tape
Duration: 50'
Year init.: 1974
Literary sources: Ennio Emili, Le Beatitudini (see attachment)
Dedication: "a mia madre"
Premiere: RAI Trieste 30.6.1975, Complesso strumentale Trieste, Giampaolo Coral conductor, Stelia Doz, Rita Susowski, Eugenia Lozzi soprani, Giorgio Pressburger stage director
SIAE: 792012236-00

Lionello Balestrieri, Beethoven (2005)

partitura
chiaro di luna (Moonlight)
Musical form: chamber music - solo instrument (piano)

Instrumentation: piano
Year init.: 2005
Year rev.: 2010
Iconographic sources: Lionello Balestrieri, Beethoven, chiaro di luna (1900), Museo Revoltella Trieste (see attachment)
Annotations: n. 2 of Klavier Album IV